当“现实感”交汇时
文/杜曦云
“存在就是被感知”。人所感知到的世界，和世界本身相比，相当的有限，这是生而为人的局限。但我们又只能通过肉身感知来真切的触摸世界，除此之外都是假想。
艺术是表达，是艺术家融合感知、假想后的再造。即使一再强调“现实”，艺术家的再造物，只是和现实相平行的新的“现实”。它所表达的，是艺术家对现实的综合感受，而且相当的个人化。
身处中国现场，现实处境对人的影响，是谁都无法摆脱的。“现实感”因人而异，而且随时流动变化着。积重难返的常规问题对人的深重影响，和移动互联网普及所带来的新契机，在当下生成着新的“现实感”。在金锋、肖雄这两位艺术家的新作中，这种“现实感”或隐或显的聚焦于暴力。
金锋的《关于暴力美学的研究方案之一》，几百根警棍被剥、削、切、割后，暴力功能被降减、物料被重组。通过几何学般的排列组合，金锋把暴力工具纳入理性逻辑中，试图用各种冷静、善意的方案，在一个富有感官魅力的氛围中，来探讨暴力最小化的可能。一个个秩序化的排列组合，也是一个个认知模型。当每个人的“现实感”和这些模型进行印证时，会揣摩个体之间和平共处和发展的可能性。
肖雄的《大众花园》，从希特勒青年时期的水彩画中“采摘”出一组菊花，在丝绸上矩阵式的重复刺绣，形成满布菊花的帷幔，乌鸦栖身其中。被复制于丝绸上的簇簇菊花，召唤着人心中对生命中美好状态的渴慕。但当这种美好渴慕，和希特勒这一特殊人物联接起来时，在可知的历史知识中，变幻莫测的欲望和生存处境的复杂关系，让“人性”这个大而化之的概念，充满了难言的张力。
“现实感”首先是个体的，但不同个体又有共通或交叉的感受，因为有些问题是共同面对的。当金锋和肖雄交叉于“暴力”时，某种看似共谋的默契，可能是无奈的不约而同、必然的不期而遇。这时，当下特有的“现实感”从何而来、向何处去？
2016年10月28日
【The Intersection of Sense of Reality】
By Xiyun DU
The famous principle proposed by George Berkeley, “To be is to be perceived”, gave a meaning that reality doesn’t exist outside our perception of it.
Works of art are treated as a matter of expression, an expression of reconstruction combining the perception and imagination of artists. Even though the sense of reality is always emphasised, works of art are inevitably the recreation by artists, paralleling with our real life. We call it a new reality. This new reality expresses and contains comprehensive feelings of an artist on the real life, and has to be present in a personal way.
Living in China, people are unable to entirely get rid of the impact of real life. The sense of reality varies with each individual, and changes as time goes on. The profound impact of ingrained habits coexists with the new influence brought by the popularity of mobile internet. Such a coexistence situation generated a new sense of reality for each person. The new sense of reality is present in the fresh works of Jin Feng, and Xiao Xiong, with a focus on violence both implicitly and explicitly.
Introduction of artists’ works:
<One of the Research Approaches to Violence Aesthetics> by Jin Feng presents with special treatments, including peeling, shaving, chopping and cutting, on hundreds of billy clubs. The purpose of these special treatments is to reduce the violence function of these typical tools through recombination of materials. Through geometrical arrangements, Jin Feng incorporates materials of billy clubs into the logic of artistic creation. He tried to express his works in a clam and kind way and with sensory appeals, wherein the possibility of violence minimisation is discussed thoroughly. Notably, a series of orderly arrangements can be seen as a series of perceiving models. These models not merely provide verification of a new sense of reality for each person, but also trigger a series of thinking about possibility of creating a life of peace and prosperity.
Xiao Xiong produces <People’s Garden> by stitching repeatedly in a matrix chrysanthemums and crows onto the silk. The identity of chrysanthemums is picked from a watercolour of Adolf Hitler in his youth. The copy of all these chrysanthemums on the silk naturally evokes people’s desire for happiness in life. However, when the work is linked with Adolf Hitler, a controversial person in terms of a true humanism, a enormous tension emerges between a sincere and pleasant desire and the realistic situation.
Conclusion:
Primarily, a sense of reality is an individual thing. Nonetheless, different people can also share a sense of reality, especially when they are together facing a certain issue. Regarding the violence topic, two artists, Jin Feng and Xiao Xiong correlate with each other closely by their creation. This correlation can be regarded as a coincidence of creation on the one hand, and be treated as a necessity of production on the other hand. At this moment, who knows where the unique sense of reality, acquired from these artworks, comes from and goes?
28th October 2016
艺术家金锋
1962年 出生于上海
1990年 毕业于南京师范大学美术系
现生活、工作于上海及北京。
个展：
2015 金锋个展——门 萨奇美术馆 英国 伦敦
2014 金锋素描——2014年手稿展 金彩画廊 杭州
2013 “一种新的个人——金锋：一个问题主义者 ” 上海证大当代艺术空间 上海
2011 “上海艺术博览会国际当代艺术展”，上海展览中心展厅，艺术通道，上海
群展：
2016 现实感——金锋&肖雄作品展 艺通佰通E空间 上海
2014 2014年纽约军械库艺术展 纽约军械库 美国
2014 神秘字符——汉字背景下的中国当代艺术 德国汉堡堤坝之门美术馆 汉堡
2013 不合作方式2 各罗宁根美术馆 荷兰
2007 软力量-亚洲态度 波兹南美术馆 波兰
2005 亚洲交通-磁力与悬浮 上海证大现代艺术馆 上海
Artist JIN Feng
1962 Born in Shanghai
1990 Graduated from Nanjing Normal University Art College
Now living and working in Shanghai and Beijing
Solo Exhibition
2015 Jin Feng Solo Exhibition——Door The Saatchi Gallery UK London
2014 Jin Feng Sketch——2014 Manuscript Exhibition Jing Cai Gallery Hang Zhou
2013 A Kind of New Person——Jin Feng:A questionism Shanghai Himalayas Museum
Shanghai
2011 Shanghai Art Fair International Contemporary Art Exhibition Shanghai
Exhibition Center Shanghai
Group Exhibiton
2016 Sense of Reality——Jin Feng&Xiao Xiong Exhibition Artoon E-space Shanghai
2014 2014The Armory Show New York America
2014 Mystery Character ——China Contemporary Art under Chinese Character
Background Germany Hamburg Deichtorhallen Museum Hamburg
2013 Way of not Cooperating2 Groninger Museum Netherland
2007 Soft Strength －Asia Attitude Poznan Museum Poland
2005 Asia Traffic－Magnetism and Suspension Shanghai ZENDAI MOMA Shanghai
金锋展览作品
现实感之金锋《关于暴力美学的研究方案之一》报纸
关于暴力美学的研究方案之一
关于暴力美学的研究方案之一（局部）
关于暴力美学的研究方案之一（局部）
作品名称：《关于暴力美学的研究方案之一》
材料：橡胶、弹簧钢条、警棍
尺寸：可变
年代：2016
Name :One of the Research Approaches to Violence Aesthetics
Material: Rubber、 Spring Steel bars、Billy clubs
Size: Flexible
Year: 2016
作品简述:
金锋作品叫做“关于暴力美学的研究方案之一”。作品有两部分组成：一是被切、削下来的橡胶覆盖于墙面，另一部分是弹簧钢条组成的平面几何图形。金锋保持了他对现成品转换的一贯思路，这次作品所转换的材料来自于警棍。金锋试图消解暴力工具的功能性，使得现成品转换出某种理性的价值与秩序来。在今天如此聒噪的时代，如何让理性回归现实，这也许是金锋想在“暴力美学”中探讨的话题。
Introduction
The name of Jin Feng’s work called ’One of the research approaches to violence aesthetics’ .The work was made by two parts:One is cut rubber which covers the wall,another part is Geometric plane shapes which were made by Spring Steel bars.Jin Feng keep his usual idea which is the changing of ready-made objects ,this time is Spontoon. The artist tried to clear up the function of violence tools in order to find the rationality value and order of the ready-made objects .In the present clamorous age,how to make rational back to the reality,it is also the topic that Jin Feng want to discuss with through the ‘violence aesthetics’.
艺术家肖雄
1962年生
个展
1999 肖雄油画展 北京当代美术馆
2008 铁幕 北京，长征空间
联展
2002 长征-一个行走中的视觉展示 中国 北京
2004 里里外外-中国当代美术展 法国 里昂
2005 布拉格双年展 捷克 布拉格
2006 违章建筑 中国 北京
2008 釜山双年展 韩国 釜山
2009 资产阶级化了的无产阶级 中国 上海
2012 转媒体 中国 上海
2012 第三届国际艺术电影高峰论坛作品展 中国 南京 北京
2016 肖雄 张慧项目展 中国 上海
2016 现实感——金锋&肖雄作品展 中国 上海
Artist XIAO Xiong
Born in 1962
Solo Exhibition
1990 XIAO Xiong Oil Painting Exhibition Beijing Contemporary Museum
2008 Iron Curtain Beijing Long March Space
Group Exhibition
2002 Long March-A Walking Vision Display China Beijing
2004 Inside and Outside-China Contemporary Art Exhibition France Lyon
2005 Prague Biennial Czech Republic Prague
2006 Lllegal Building China Beijing
2008 Busan Biennale Korea Busan
2009 Capitalisted Proletariat China Shanghai
2012 TransMedia China Shanghai
2012 The third international art film peak BBS exhibition China Nanjing Beijing
2016 Xiao Xiong&Zhang hui Project Exhibition China Shanghai
2016 Sense of Reality——Jin Feng&Xiao Xiong Exhibition China Shanghai
肖雄展览作品
现实感之肖雄《大众花园》报纸
大众花园
作品名称：大众花园
材料：丝绸 蔴 实物标本
尺寸：450X860cm
年代：2016
Name:People’s Garden
Material:Silk、 Ramie、Specimen
Size: 450X860cm
Year: 2016
作品简述：
作品为一个直径260cm的圆形悬挂装置，白色丝绸面上是希特勒的一个花卉纹样，为银色刺绣。圆顶上有两只乌鸦向下俯视，圆形中间有一个鸟笼中一只八哥鸟，同时圆形内一个呼吸灯光渐暗渐亮。
Introduction
Work as a 260 cm diameter circular suspension installation,the surface of white silk is a flower pattern of Hitler,it is silver embroidery.There are two crows looking down from the dome,and there is a mynah bird in the cage in the middle of the dome,meanwhile,inside the circle a breathing lights dimmed coming on.
艺通佰通（上海）
艺通佰通是座落于上海的新兴艺术机构，于2014年正式创建。下有艺术线上平台、艺术展览空间、艺术教育机构等分支，总面积1000余平方米。立足中国当代艺术界，通过广泛的艺术和文化合作项目推动新兴与传统艺术的发展和交流，引领本土艺术消费理念，推动艺术于公众的普及。着力发掘新兴艺术家，建构新型的艺术文化市场沟通体系。
Artoon is a new art institution located in Shanghai, created in 2014. It including online platform, art exhibition space , art education institution ect. The total area is more than 1000 square meters. Based on Chinese contemporary art, Artoon promoting the development and communication of contemporary and traditional art through varieties of the cooperation projects between art and culture,it lead local art consumption concept and promoting the popularization of art to the public. Artoon focuses on finding new artists and build new art cultural market communication system.
【展览详情】
展览名称：现实感——金锋&肖雄作品展
艺 术 家 ：金 锋、肖 雄
学术主持：杜曦云
展览执行：董 浩、安鹏俊、戴海龙、吕 东、张正中
艺术总监：谭海山
出 品 人 ：刘 伟
主办机构：艺通佰通（上海）艺术发展有限公司
展览地点：E空间
展览地址：上海市徐汇区虹漕南路9号1号楼3A
展览时间：2016年11月12日—2016年11月22日
开 幕 式 ：2016年11月12日 P.M 3:30
【INFORMATIONS】
Topic : Sense of Reality——Jin Feng,Xiao Xiong Art Exhibition
Artists: Jin Feng、Xiao Xiong
Academic Director: Du Xiyun
Operation: Dong Hao、An Pengjun、Dai Hailong、Lv Dong、Zhang Zhengzhong
Art Director: Tan Haishan
Producer: Liu Wei
Sponsor：Artoon (Shanghai) Art Development Co., Ltd
Location：E-Space
Address: 3A,Block1,No.9South Hongcao Rd., Shanghai
Date : 2016.Nov 12th—22th
Opening:2016.Nov 12th P.M 3:30
【媒体垂询】
联系人：DOM.董浩 电话：13701779714
Wechat: 18721189426 邮箱：865937102@qq.com
Contact:Dom.DONG Hao Tel : 13701779714
We chat:18721189426 Mail：865937102@qq.com
更多精彩内容，敬请关注艺通佰通官方微信：
More information,please follow Artoon official Wechat
艺通佰通微信公众号二维码
据悉，此次展览将于2016年11月12日下午3:30开幕，展览至2016年11月22日。欢迎观展！