朱加: 临界的弥漫 

Zhu Jia: Critical Pervasion

Opening | 开幕：16:00-18:00, 4/11, 2015

Duration | 展期：4/11 – 19/12, 2015

香格纳画廊将于2015年11月4日在主空间及H空间隆重地推出朱加个展“临界的弥漫”。本次展览将带来朱加的最新创作和近期影像作品，将持续到2015年12月19日。

朱加在上个世纪80年代末就开始进入到了摄影和录像创作实践的前沿,可谓中国早期录像与摄影艺术的先行者。他以不动声色的、简约的制作方式和对现实冷静而强有力的介入立场,成为中国观念艺术中特殊的个案。其先锋的实验性作品为之后的实践者们提供了大胆的先例。另外，他的作品和九十年代盛行的全球化基本同步，为中国社会的转型提供了实时的批判性评注。

今天的世界无论何种正常或许都只是偶然，关键在于我们如何认定“正常”。此次个展，朱加将从不同的时空和视角来剖析现实临界状态下的“日常的正常”、“政治的正常”以及“艺术的正常”，让我们每个观众的观看长时间停留在无法言喻的惊恐和禁忌的边线上，或者说是体会那种“现实的环境在我内心深处造成的很尴尬的感觉”。

朱加，1988年毕业于中央美术学院油画系第三工作室。现生活工作于北京。

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ShanghART Gallery is pleased to present “ZHU Jia : Critical Pervasion” from 4th of November to 19th of December 2015. The exhibition showcases ZHU Jia’s new works and recent video art pieces.

As the pioneer of early video and photography art in China, ZHU Jia was in the frontier edge of practice from late 80s. With his impassive, matter-of-fact manner and concise way of production, as well as an aggressive while placid perspective to the reality, he became a special case in Chinese conception art. His pioneering experimental works provides adventurous precedents to the succeeding practitioners. Furthermore, his works simultaneously step with prevailing globalization of 90s, providing real-time critical commentary to the conversion of Chinese society.

In today’s world, any normalcy seems to be occasional and temporary, thus the key point is how we define “normalcy”. In this coming solo show, ZHU Jia will dissect the “normalcy in daily life, in politics, and in art” under critical state from different angles and perspectives, giving our audiences extended experiences when they will be put on the edge of fear and taboo, or in his words, the “very embarrassed feeling deep inside me created by reality”.

ZHU Jia, born in 1963, Beijing. Graduated from the oil painting department of the 3rd studio, China Central Academy of Fine Arts in 1988. He lives and works in Beijing.