{"id":176,"date":"2014-04-26T22:17:16","date_gmt":"2014-04-26T14:17:16","guid":{"rendered":"http:\/\/www.meishuwenxian.com\/?p=176"},"modified":"2015-11-23T12:42:38","modified_gmt":"2015-11-23T04:42:38","slug":"%e7%ac%ac74%e6%9c%9f-%e6%ac%b2-%e7%97%85%e7%90%86%e4%b8%8e%e5%87%9d%e8%a7%86%ef%bc%882011%ef%bc%89","status":"publish","type":"post","link":"https:\/\/www.meishuwenxian.com\/en\/%e7%ac%ac74%e6%9c%9f-%e6%ac%b2-%e7%97%85%e7%90%86%e4%b8%8e%e5%87%9d%e8%a7%86%ef%bc%882011%ef%bc%89\/","title":{"rendered":"\u7b2c74\u671f \u6b32\u2014\u2014\u75c5\u7406\u4e0e\u51dd\u89c6\uff082011\uff09"},"content":{"rendered":"

\u7b2c74\u671f \u6b32\u2014\u2014\u75c5\u7406\u4e0e\u51dd\u89c6\uff082011\u5e74\uff09<\/strong><\/p>\n

\u5b66\u672f\u4e3b\u6301\uff1a\u9c81\u660e\u519b<\/p>\n

\u4e3b\u9898\uff1a\u66f9\u6656 \u4f55\u5de5 \u9ec4\u594e \u674e\u4e00\u51e1 \u6768\u8ff0 \u4f59\u6781<\/p>\n

\u65b0\u4f5c\uff1a\u6797\u6b23 \u738b\u4fca \u9648\u6ce2 \u6768\u6c38\u751f<\/p>\n

Issue No. 74(2011)<\/span><\/p>\n

Theme: Desire: Pathology and Gaze<\/span><\/p>\n

Academic Host: Lu Mingjun <\/span><\/p>\n

A.T: Cao Hui, He Gong, Huang Kui, Li Yifan, Yang Shu, Yu Ji<\/span><\/p>\n

A.N: Lin Xin, Wang Jun, Chen Bo, Yang Yongsheng<\/span><\/p>\n

\"74\"<\/a><\/p>\n

\u6b32\u2014\u2014\u75c5\u7406\u4e0e\u51dd\u89c6<\/strong><\/p>\n

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\u5f53\u7136\uff0c\u827a\u672f\u6216\u89c2\u770b\u3001\u51dd\u89c6\u672c\u8eab\u5c31\u662f\u201c\u6b32\u201d\u4e4b\u751f\u6210\u7684\u4e00\u90e8\u5206\u3002\u51dd\u89c6\u6216\u89c2\u770b\u91cd\u65b0\u4ecb\u5165\u201c\u6b32\u201d\u4e4b\u6838\u5fc3\uff0c\u4e0d\u662f\u4e3a\u4e86\u74e6\u89e3\u6216\u8d31\u65a5\u201c\u6b32\u201d\uff0c\u800c\u662f\u4e3a\u4e86\u91cd\u65b0\u8ba4\u80af\u201c\u6b32\u201d\u672c\u8eab\u7684\u6b63\u5f53\u6027\uff0c\u5e76\u8d4b\u4e88\u201c\u6b32\u201d\u4ee5\u5f00\u653e\u7a7a\u95f4\u6216\u81ea\u7136\u4e4b\u9053\u3002\u800c\u4e14\uff0c\u51dd\u89c6\u4e4b\u201c\u6b32\u201d\u7684\u5b9e\u9a8c\u662f\u4e00\u79cd\u89c2\u770b\u673a\u5236\u7684\u751f\u4ea7\uff0c\u4e5f\u662f\u4e00\u79cd\u65b0\u7684\u8bdd\u8bed\u653f\u6cbb\u7684\u751f\u6210\u3002\u800c\u51dd\u89c6\u4e0e\u7cbe\u795e\u5206\u6790\u7684\u5bf9\u5e94\u3001\u9519\u4f4d\u4e0e\u7d27\u5f20\u5219\u544a\u8bc9\u6211\u4eec\u201c\u6b32\u201d\u672c\u8eab\u5185\u5728\u7684\u590d\u6742\u6027\u53ca\u5176\u4e0d\u786e\u5b9a\u6027\u3002\u51dd\u89c6\u4e4b\u201c\u6b32\u201d\u4e0e\u7cbe\u795e\u5206\u6790\u4e4b\u201c\u6b32\u201d\u7684\u533a\u522b\u4e5f\u5728\u8fd9\u91cc\u3002<\/p>\n

\u4e0d\u540c\u4e8e\u7cbe\u795e\u5206\u6790\u7684\u662f\uff0c\u51dd\u89c6\u6216\u89c2\u770b\u90fd\u4e0d\u662f\u533b\u7597\uff0c\u4f46\u5e76\u4e0d\u610f\u5473\u7740\u5b83\u4e0d\u5177\u6709\u533b\u7597\u7684\u529f\u80fd\u3002\u800c\u8fd9\u4e5f\u4f53\u73b0\u4e86\u5f53\u4ee3\u827a\u672f\u672c\u8eab\u6240\u5177\u6709\u7684\u4ecb\u5165\u6027\u3001\u5ef6\u5f02\u6027\u53ca\u5efa\u6784\u6027\u3002\u53cd\u8fc7\u6765\uff0c\u8fd9\u4e00\u5b9e\u9a8c\u4e5f\u662f\u4e3a\u4e86\u63a2\u8ba8\u5230\u5f53\u4ee3\u827a\u672f\u5982\u4f55\u5728\u5176\u8fb9\u754c\u4e4b\u5185\u6ea2\u51fa\u8fb9\u754c\u3002\u53ef\u89c1\uff0c\u8fd9\u770b\u4f3c\u5bf9\u827a\u672f\u5bb6\u7684\u521b\u4f5c\u4f1a\u5f62\u6210\u969c\u788d\uff0c\u4f46\u5b9e\u9645\u4e0a\uff0c\u6070\u6070\u76f8\u53cd\uff0c\u5176\u8d4b\u4e88\u827a\u672f\u5bb6\u4ee5\u6781\u4e3a\u5f00\u653e\u7684\u5b9e\u9a8c\u7a7a\u95f4\u3002<\/p>\n

\u6211\u60f3\uff0c\u4e0a\u8ff0\u57fa\u672c\u6784\u6210\u4e86\u7b14\u8005\u7b56\u5212\u201c\u6b32\u2014\u2014\u75c5\u7406\u4e0e\u51dd\u89c6\u201d\u7814\u7a76\u8ba1\u5212\u7684\u52a8\u56e0\u548c\u63a8\u529b\u3002<\/p>\n

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Desire<\/strong>: <\/strong>Pathology and Gaze<\/strong><\/p>\n

 <\/p>\n

Academic Host: Lu Mingjun<\/p>\n

 <\/p>\n

The most appropriate way to discuss the birth, growth and internality of \u2018desire\u2019 is undoubtedly through art.<\/p>\n

The complexity and uncertainty of desire itself determines that we can never endow it with a relatively stable definition, which, however, does not prevent us from perceiving, realizing, prying or probably understanding \u2018desire\u2019.<\/p>\n

Actually, \u2018desire\u2019 is about the experiment of man. It does not merely refer to the physical perception or physiological drive, nor can it avoid history or knowledge, particularly the reflection of the real social, cultural and political situations. Therefore, the \u2018desire\u2019 here does not mean the physical or physiological lust and needs in a narrow sense, but psychological and cultural perception in a broad sense.<\/p>\n

The understanding of desire from the natural physical urge to the socio-cultural psychological realization forms \u2018spirit\u2019 as what we usually call it. Though not equal to \u2018spirit\u2019, \u2018desire\u2019 has something to do with it. Generally speaking, \u2018desire\u2019 is pessimistic, and \u2018spirit\u2019, optimistic. But in real life, we can hardly distinguish between the two. Most of the time, they share the same basis in both physics and ideas. In spite of occasional displacement, these two definitely do not contrast with each other; they could even be regarded as \u2018neutral\u2019 here. Only from this perspective can we really carry out the experiments and exploration of it. Otherwise, we might survey it with a pair of political, cultural and ethical colored glasses; let alone examine it in a relatively objective aspect.<\/p>\n

\u2018Desire\u2019 or \u2018spirit\u2019 in the physical sense, has something to do with brain science, neurology and psychoanalysis (philosophy), which belongs to the logic of modern western science. But in Chinese traditions, it puts more emphasis on the consideration of \u2018heart\u2019 or \u2018man\u2019s heart\u2019. \u201cMind dominates character and sentiment\u201d of the Neo-Confucianism in the Song and Ming Dynasties means exactly the same. It is right in this sense that the differences and displacement between \u2018desire\u2019 and \u2018spirit\u2019 become more obscure. Thus, the experiment of the birth and growth of \u2018desire\u2019 is not only a physiological experiment and analysis, but also the exploration of the innate absurdity and possible tension of the \u2018heart\u2019 or \u2018man\u2019s heart\u2019, which serves as a spiritual approach from the discussion of the birth, configuration and functional expansion (such as reform, dissolving and sublimation) of \u2018desire\u2019, to the reflection of the \u2018mutation\u2019 (such as temptation, hatred, delightful sensation, anxiety, depression, fear and loss, etc. ) as well as its social, cultural, political structure and historical roots. It is in the sense of \u2018heart\u2019 and \u2018man\u2019s heart\u2019 that \u2018desirability\u2019 and \u2018non-desirability\u2019 bear more than a kind of pathological concepts in the aspect of modern science, but cultural, historical and ethnical discourse just as the following picture shows:<\/p>\n

 <\/p>\n

The diagram above includes the revelation and implication of the reality as the basic train of thought of the research plan on \u2018Desire\u2014Pathology and Gaze\u2019.<\/p>\n

If \u2018desire\u2019 were autogenetic and spontaneous, then, the cleaning and understanding of \u2018desire\u2019 itself in psycho exploration (or psychoanalysis) serve as the denunciation and suppression of it. This behavior implies the explanation of \u2018desire\u2019: nature or disease? Nevertheless, whatever the result might be, it reveals itself that psycho exploration itself is not \u2018neutral\u2019 (though \u2018spirit\u2019 embodies \u2018neutral\u2019 to a certain extent). Even if \u2018desire\u2019 contains complicated social cultural elements, \u2018psycho exploration\u2019 stands unavoidable. But on the other hand, the value orientation of exploration moves \u2018desire\u2019 from one \u2018cage\u2019 to another, which is to say that finally \u2018desire\u2019 and \u2018psycho exploration (medical treatment included)\u2019 build a \u2018prison\u2019 for themselves. That is why Gilles Deleuze questions \u2018psychoanalysis\u2019.<\/p>\n

We must not flinch from the assertion that the liberation of \u2018desire\u2019 concerns the liberation of man, or \u2018man\u2019s heart\u2019. Of course, its liberation cares about the cognition of \u2018man\u2019 and \u2018man\u2019s heart\u2019 instead of endowing the natural function of \u2018desire\u2019 with a justifiable basis, or paying attention to the original and empty survival state. But \u2018man\u2019s heart\u2019 can be understood and explained. Therefore, the experiment of \u2018desire\u2019 aims not only to liberate it, but more importantly it aims to realize \u2018man\u2019s heart\u2019.<\/p>\n

Modern art unfolds a new possibility for the experiment of \u2018desire\u2019, and also sets up an open channel for the realization of \u2018man\u2019 and \u2018man\u2019s heart\u2019. Here, gaze or watch obviously seem to possess the function of \u2018psycho exploration (psychoanalysis)\u2019. To be different, psychoanalysis starts from pathology while modern art in its gaze and watching emphasizes the liberation of \u2018psycho exploration\u2019 from the perspective of pathology (or medical treatment) and its control, which re-constructs gaze and the politics of gaze. Thus, the transfer of subject underneath liberation lies in the re-construction of the subject and its nature or heart rather than the dispersal of it, which follows how to bring the physical \u2018desire\u2019 back to the \u2018heart\u2019 of the subject.<\/p>\n

Of course, art or its watching and gaze is a part of the birth of \u2018desire\u2019. That gaze or watch intervenes into the core of \u2018desire\u2019 manages to re-acknowledge the justification of \u2018desire\u2019 itself and endow it with open space or natural ways, not aims to disintegrate or denounce it. Moreover, the experiment of \u2018desire\u2019 of gaze functions as the production of a watch mechanism as well as the birth of a new politics of discourse. Beside, gaze and the parallelism, displacement and tension of the psychoanalysis tells us the complexity and uncertainty of \u2018desire\u2019 itself, which is also the difference between the \u2018desire\u2019 of gaze and the \u2018desire\u2019 of the psychoanalysis.<\/p>\n

Different from the psychoanalysis, gaze or watch does not belong to the medical treatment, which doesn\u2019t mean that it has no medical functions; it then reflects that modern art possesses the nature of intervention, continuity, variation and construction. This experiment in turn discusses how modern art goes beyond the boundary. It is thus clear that this would hinder the creation of the artists, but actually on the contrary, artists are free to bring their works into play in opener experimental space.<\/p>\n

I believe, the illustration above forms my reason and drive to plot the research plan of \u2018Desire\u2014Pathology and Gaze\u2019.<\/p>\n

Finally, to say more than is needed, this plan never aims to expose the physiological awareness and physical perception of the artists in the course of creation. On the contrary, it attempts to liberate \u2018desire\u2019 from this superficial, shallow and narrow understanding as well as realization, to \u2018desire\u2019 itself, which, as an open concept, refers not only to the physical aspect, but also psychological, social, political, ethnical, historical and cultural aspects, etc. This signifies that \u2018speaking of desire is regarded as indecent\u2019 in our daily life\u2019 is not due to the problem of \u2018desire\u2019, but to our problem in the cognition of it. Therefore, this research plan emphasizes the deep thinking and introspection of desire and its psychosocial, cultural and political meanings rather than the physiological awareness or simple enlargement. So, the so-called \u2018pathology\u2019 here doesn\u2019t serve as the moral judgment and psychotherapy, but the misinterpretation and misunderstanding of it, and the approach to new awareness and introspection through experiment and cognition.<\/p>\n

Those different discourse, perspectives and views exposed by the research plan have already composed various kinds of watching ways and gaze logic. This could be regarded as the experiment and discussion of the language of art, rather than the thinking and introspection of \u2018Desire\u2014Pathology\u2019, which is not only the focus of this research plan, but also an angle of the experiment of discourse.<\/p>","protected":false},"excerpt":{"rendered":"

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