{"id":10799,"date":"2019-09-21T10:00:00","date_gmt":"2019-09-21T02:00:00","guid":{"rendered":"https:\/\/www.meishuwenxian.com\/?p=10799"},"modified":"2023-06-01T14:37:41","modified_gmt":"2023-06-01T06:37:41","slug":"%e7%bc%96%e8%be%91%e8%bf%87%e7%a8%8b","status":"publish","type":"post","link":"https:\/\/www.meishuwenxian.com\/en\/%e7%bc%96%e8%be%91%e8%bf%87%e7%a8%8b\/","title":{"rendered":"Editing the Process"},"content":{"rendered":"
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Editing the Process
Duration: 2019.9.21-11.1
Location\uff1aFine Arts Literature Art Center<\/strong>
Artists: Deng Wei, Fu Zhongwang, Fan Anxiang, Gong Jian, Hao Shiming, Hu Weiyi, Ke Ming, Li Jikai, Li Zhanyang, Ni Youyu, Shi Jinsong, Xu Wentao, Yang Xinguang, Zhang Quan, Fang Lijun, Gu Wenda, Ji Dachun, Jiang Jie, Liu Dahong, Liu Ye, Sui Jianguo, Wang Du, Wei Guangqing, Wang Huaxiang, Zeng Fanzhi<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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News<\/strong><\/p>\n<\/div>\n\n\n\n

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Editing is a choice, and process is a stage in the development of things. Some processes are irreversible, and so are choices. Chinese contemporary art has developed over the past four decades. In this short process, each participant made a variety of choices. Some choices are active and some choices are passive. In this process, some people and some institutions are in the spotlight, while others withdraw from the spotlight or even take a curtain call. Look at the past from the present, and then look at the future from the perspective of the past. What was new is old, and what is new is going to be old. The new works revolutionize the old, and the new works of the present continue to be revolutionized by the new works of the future -- this is the process of art.<\/p>\n\n\n\n

The exhibition is divided into two units, presented from the upper and lower floors with two \"choice\" main lines: 1. Within the framework of art history, the selection of contemporary art by the institution as a subject over the past twenty years - old works (part); 2. Future unknowns and knowable Choices -- New works.<\/p>\n\n\n\n

On the second floor, new works by Deng Wei, Fu Zhongwang, Fan Anxiang, Gong Jian, Hao Shiming, Hu Weiyi, Ke Ming, Li Jikai, Li Zhanyang, Ni Youyu, Shi Jinsong, Xu Wentao, Yang Xinguang and Zhang Quan are presented (in alphabetical order). Deng Wei's work \"Blowing\", an ugly, apparently shiny and swollen fish-tailed \"unknown object\" blowing air from its own ass through a black tube. Fu Zhongwang's work \"Left Ink\" combines ready-made products, extension forms and rubbings to interpret modern civilization in an \"archaeological\" way. Shi Jinsong's work, \"Sweet Dream \u00b7 Mold\", turned the mold with his own face, exhibited the mold and the candy and chocolate turned, and offered the audience a taste at the opening site.<\/p>\n\n\n\n

The unit on the third floor presents the works of 11 artists from 1991 to 2008: Fang Lijun, Gu Wenda, Ji Dachun, Jiang Jie, Liu Dahong, Liu Ye, Sui Jianguo, Wang Du, Wei Guangqing, Wang Huaxiang and Zeng Fanzhi. On the wall of the exhibition on the third floor, Wang Du' work \"Missile\" is exhibited, which was created in 2005 with the media such as \"Art Literature\" and \"Southern Weekend\". According to him, media is the air and blood, and human beings build different cultures with different times. And our lives are incontinently invaded by information, and the media has become almost everything in our lives.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Exhibition Site<\/strong><\/p>\n\n\n\n

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Works<\/strong><\/p>\n\n\n\n

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Deng Wei
\u5145\u6c14\u73a9\u73a9\u5927\u6218\u897f\u74dc\u7cbe
Stop Motion Animation 1 '49\"
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Fu Zhongwang
Left Ink
Ready-made products, aluminum plate, rice paper, ink
54\u00d798cm
2018<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Gu Wenda
Art Literature
Ink on paper
50\u00d7130cm
2004<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Hu Weiyi
Sprawl
Glass, emulsion, LED light box, solid wood frame, copper hinge
44\u00d754\u00d77cm\u00d76
2017<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Li Jikai
Landscape No.2
Oil on canvas
30\u00d740cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Li Zhanyang
Sell fruits
Wood and glass steel
69\u00d734\u00d760cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Liu Dahong
Untitled
Oil on canvas
30\u00d727.5cm
1999<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Ni Youyu
Elephant
Mixed material
46\u00d724.5\u00d76cm
2016<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Shi Jinsong
Sweet Dream \u00b7 Mold
Edible grade silicone
24\u00d727\u00d72.2cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Wang Du
Missile
Mixed material
Height 80cm
2005<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Ji Dachun
Pilot
Mixed material
110\u00d733cm
2002<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Fang Lijun
Untitled
Ink on paper
38\u00d744.5cm
2008<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

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