{"id":10742,"date":"2020-07-18T10:00:00","date_gmt":"2020-07-18T02:00:00","guid":{"rendered":"https:\/\/www.meishuwenxian.com\/?p=10742"},"modified":"2023-05-25T11:43:47","modified_gmt":"2023-05-25T03:43:47","slug":"%e4%b8%80%e9%87%8d%e5%b1%b1-%e5%bc%a0%e7%ab%8b%e4%b8%aa%e5%b1%95","status":"publish","type":"post","link":"https:\/\/www.meishuwenxian.com\/en\/%e4%b8%80%e9%87%8d%e5%b1%b1-%e5%bc%a0%e7%ab%8b%e4%b8%aa%e5%b1%95\/","title":{"rendered":"Hill upon Hill: Zhang Li Solo Exhibition"},"content":{"rendered":"
\"\"<\/figure>
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Hill upon Hill: Zhang Li Solo Exhibition<\/strong>
Duration\uff1a2020.7.18 - 10.24<\/strong>
Location\uff1aFine Arts Literature Art Center<\/strong><\/p>\n\n\n\n

the sense \nof alienation of the pure ideal atmosphere that creats in \nthe ink landscape from the reality has become a scale for \nmeasuring of the reality and illusion. It is so helpful and \npositive that I have never expected such a transformation \nof my way of thinking in my life. This pure ideal realm, \nbeautiful yet so vulnerable, but could be used to measure \nthe ups and downs and width of the real world. It is real \nand meaningful. The theme of this series of works, borrowing the concept \nof the verse in a Song Dynasty poem \"hill upon hill,\u201d \nshows the unexpected changing view of mountains and \nrivers after winds and rains.<\/p>\n\n\n\n

Zhang Li<\/p>\n<\/div><\/div>\n\n\n\n

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Exhibition Site<\/strong><\/p>\n\n\n\n

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Works<\/strong><\/p>\n\n\n\n

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River Bank
Ink on silk
26.8\u00d725.6cm
2019
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Hidden Bamboo Forest No.2
Ink on silk
26.8\u00d725.6cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Wintersweet
Ink on silk
26.8\u00d725.6cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Pine Valley
Ink on silk
26.8\u00d725.6cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Heaven Hides in Mountains
Ink on paper
38\u00d753cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Pine Trees and Winter Stream
Ink on paper
38\u00d753cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Leafy Shade on Purling Waters
Ink on paper 38\u00d753cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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View of the River on a Snowy Day
Ink on paper
38\u00d753cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Album of\u201cFlowers of Every Kind\u201dNo.1
Ink and color on paper 26.8\u00d725.6cm
2016<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Album of\u201cFlowers of Every Kind\u201dNo.3
Ink and color on paper 26.8\u00d725.6cm
2016<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Album of\u201cSpring in the Falling Flowers\u201dNo. 2
Ink and color on paper 26.8\u00d725.6cm
2016<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Album of\u201cSpring in the Falling Flowers\u201dNo. 4
Ink and color on paper 26.8\u00d725.6cm
2016<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Manjusri
Ink on paper
129\u00d769.5cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Avalokitesvara
Ink on paper
129\u00d769.5cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Samantabhadra
Ink on paper
129\u00d769.5cm
2019<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Essay<\/strong><\/p>\n<\/div>\n\n\n\n

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In Preface to Landscape Painting, the first treatise on landscape painting in the history of Chinese painting, Zong Bing, a native of the Southern Dynasty, wrote, \"The husband and the sage follow the way of the gods, while the sage and the sage pass through; Landscape to form Mei road, and the benevolence of music. Isn't it almost?\" The shape of mountains and rivers is regarded as the expression of \"Tao\". The Tao learned by the wise, understood by the wise and enjoyed by the virtuous are presented in a natural state among mountains and rivers. Even across thousands of years, this way is still passed down through the generations of art. However, how to let the viewer's mind wander in the landscape painting requires the artist to establish a spiritual relationship with the landscape, and to express the spiritual image of the landscape through his keen observation and skilled painting techniques. Looking at Zhang Li's works, we can easily be brought into the picture and enjoy the landscape created by the artist. Zhang Li 's landscape paintings are mostly created by ' Pingyuan ' perspective, using a painting method that is used as a ' hand scroll ' advocated by painters in the Tang and Song Dynasties, that is, close-up presentation. This painting method appears in Zhao Qian 's ' early snow on the river ' and Guo Xi 's ' autumn mountain and river '. However, on the basis of this painting method, Zhang Li once again narrowed the distance, quite a sense of local amplification, and this creative perspective is formed by chance in her creation process. In the use of brush and ink, she constructs \"simplicity\" with \"complexity\", and the rich brush and ink permeates her understanding and interpretation of the spirit of \"simplicity\" in Song paintings. In some of his works, Zhang Li uses a rhythm of \"stopping\" to deal with the transition between heavy and light ink. This combination of \"real\" and \"virtual\" in a work in an \"opposite\" way can also be regarded as the artist's experimental breakthrough in techniques under the framework of traditional painting. The use of \"hard lines\" similar to charcoal sketches in the works makes the line sense of ink painting different from the traditional ink painting. However, it needs to be emphasized that in the context of contemporary art, \"admiration for ancient\" is not \"imitation of the old\", but perhaps \"knowledge of the new\". \"World Zen\" Suzuki Dachu's teacher, Buddhism, once wrote a poem saying, \"People have red and yellow and black and white, and there is no north, south, west and east. Don't believe look at the day last month, clear light thorough too empty.\" We should get rid of the stereotype brought by formalism and feel the way of landscape through Zhang Li's works.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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About the artist<\/strong><\/p>\n<\/div>\n\n\n\n

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Zhang Li, Born in Wuhan, Hubei Province, \nGraduated from Hubei Institute of Fine Arts, \nMaster of Arts in Chinese painting, Currently living and working in Wuhan
Her Recent exhibition since include: \"Shi Zuo: Summer Exhibition,\u201d Fine Arts Literature Art Center, Wuhan; \n\u201cTenderness in Fine brush: Women's claborate-style painting \nExhibition,\u201d Shenzhen Art Museum, Shenzhen\uff1b\u201cChinese \nInk Painting Exhibition: A Selected Collection of Chinese Ink \nPaintings from Fine Arts Literature magazine,\u201d Wuhan Art \nMuseum\uff0cWuhan\uff0cetc.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Duration\uff1a2020.7.18 - 10.24<\/p>","protected":false},"author":1,"featured_media":10743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[260],"tags":[],"class_list":["post-10742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitons"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"[data-prefix=\"single_blog_post\"] [class*=\"ct-container\"] > article[class*=\"post\"] 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